Toutes peintures à l'huile d'Caspar David Friedrich

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21861

Two Men on the Beach in Moonlight (mk10)

1817,oil on canvas 51 x 66 cm Berlin,Nationalgalerie

71634

Verschneite Hutte

c. 1827 Oil on canvas 31 x 25 cm (12.2 x 9.84 in)

72835

Verschneite Hutte

Date Deutsch: um 1827 English: c. 1827 Medium Oil on canvas Dimensions 31 X 25 cm (12.2 X 9.84 in) cyf

69952

View of a Harbour

View of a Harbour

44159

View of a Harbour .

1815-16 Oil on canvas, 90 x 71 cm

21890

View of a Port (mk10)

1815-1816,oil on canvas,90 x 71 cm Potsdam Sanssouci,Staatliche Schlosser und Garten,Schloss Charlottenhof

21806

View of the Artist's Studio Left Window (mk10)

1805-1806 sepia 31 x 24 cm Vienna,Kunsthistorisches Museum

21807

View of the Artist's Studio Right Window (mk10)

1805-1806,sepia on paper 31 x 24 cm Vienna,Kunsthistorisches Museum

44165

View of the Baltic

c 1820-25 Oil on canvas, 34,5 x 44 cm

67458

View of the Baltic

View of the Baltic, oil painting by Caspar David Friedrich

69979

View of the Baltic by Friedrich

View of the Baltic, oil painting by Caspar David Friedrich

44168

Village Landscape in Morning Light

1822 Oil on canvas, 55 x 71 cm

98019

Waft of Mist

1820 Medium oil on canvas Dimensions 32.5 x 42.5 cm cyf

70892

Wald im Spatherbst

1835(1835) Oil on canvas 33 x 44 cm (12.99 x 17.32 in)

71899

Wald im Spatherbst

Date 1835(1835) Dimensions 33 x 44 cm (12.99 x 17.32 in)

73987

Waldinneres bei Mondschein

Waldinneres bei Mondschein um 1823 bis 1830 cjr

56185

wanderer above the sea of fog

mk247 c.1818,oil on canvas,38.75x29.5 in,98.5x75 cm,hamburger kunsthalle,hamburg,germany

21780

Wanderer above the Sea of Fog (mk10)

1818,oil on canvas 74.8 x 94.8 cm Hamburg,Kunsthalle

33893

Wanderer Watching a sea of fog

mk87 c.1817/18 Oil on canvas 98.4x74.8cm Hamburg,Hamburget Kunsthalle

21391

Wanderer watching a sea of fog (mk09)

c 1817/18 Oil on canvas,984 x 74.8 cm Hamburg,Hamburger Kunsthalle

25959

Wanderer Watching a Sea of Fog (mk45)

c.1817-18 Oil on canvas 98.4x74.8cm Hamburg,Hamburger Kunsthalle

67461

Watzmann by Friedrich

Oil painting by Caspar David Friedrich

69980

Watzmann by Friedrich

English: Oil painting by Caspar David Friedrich

71237

Wiesen bei Greifswald

1820-1822 Oil on canvas 35 x 49 cm (13.78 x 19.29 in)

72407

Wiesen bei Greifswald

Date 1820-1822 Medium Oil on canvas Dimensions 35 X 49 cm (13.78 X 19.29 in) cyf

21831

Winter Landsacpe (mk10)

1811,oil on canvas 33 x 46 cm Schwerin,Staatliche Museum

52599

Winter Landscape

1811 Oil on canvas, 33 x 46 cm

73868

Winter Landscape

Winter Landscape 1811 cjr

96869

Winter Landscape

oil on canvas Dimensions 32.5 X 45 cm cyf

52473

Winter Landscape with Church

1811 Oil on canvas, 33 x 45 cm

21815

Winter Landscape with Church (mk10)

Oil on canvas,33 x 44 cm Private collection

73705

Winterlandschaft

Winterlandschaft

38572

Woman at a Window

mk135 1822 Oil on canvas 44x37cm

22785

Woman at a Window (mk22)

1822 Oil on canvas,44 x 37 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz

21805

Woman at the Window (mk10)

1822 Oil on canvas 44 x 37 cm Berlin,Nationalgalerie

21879

Woman at the Window (mk10)

1822,oil on canvas,44 x 37 cm Berlin,Nationalgalerie

44161

Woman before the Rising Sun

1818-20 Oil on canvas, 22 x 30 cm

62853

Woman before the Rising Sun

1818-20 Oil on canvas, 22 x 30 cm Museum Folkwang, Essen In 1818, at the age of 44, Friedrich married Caroline Brommer, a cheerful 25 years old Saxon woman. That Caroline was a positive influence on the artist, which is evidenced by the fact that, from this point on, women appear with greater frequency in his work. A new, friendly element seems to enter his pictures. A case in point is the painting to which some authors give the title Woman before the Rising Sun, and which others call Woman before the Setting Sun. The woman seen in rear view appears as a large silhouette against the intense reddish-yellow of the sky. It is difficult to interpret the fervent gesture of her outstretched arms and the stylised rays radiating from the mountains on the hazy horizon, heralding the presence of the invisible sun. Caroline was probably the model for the female figure in old-German dress. Since she is stepping towards the light like an early Christian in prayer, some have sought to interpret the painting in terms of a communion with nature. On the other hand, the atmosphere evoked in Friedrich's painting might be interpreted as that of dusk, the path which terminates so abruptly as an announcement of death, and the boulders scattered alongside the path as symbols of faith. In the final analysis, few of Friedrich's pictures are as emphatic and almost exaggeratedly symbolic in their effect - factors which render the painting not unproblematic for the viewer. Artist: FRIEDRICH, Caspar David Title: Woman before the Rising Sun (Woman before the Setting Sun) , painting Date: 1801-1850 German : landscape

21855

Woman Before the Setting Sun (mk10)

1818,oil on canvas,22 x 30 cm Essen,Museum Folkwang

21851

Woman on the Beach at Rugen (mk10)

1818,oil on canvas,21.5 x 30 cm Winterthur,Museum Stiftung Oskar Reinhart

1271

Woman on the Beach of Rugen 4

1818 Oskar Reinhart Foundation, Winterthur

67462

Wreck in the Moonlight

Wreck in the Moonlight, oil painting by Caspar David Friedrich

69981

Wreck in the Moonlight

English: Wreck in the Moonlight, oil painting by Caspar David Friedrich

44152

Wreck in the Sea of Ice

1798 Oil on canvas, 30 x 22 cm

45198

Zwei Manner in Betrachtung des Mondes

mk181 1819 Dresden Staatliche Kunstsammlungen Gemaldegalerie

70649

Zwei Manner in Betrachtung des Mondes

Medium Oil on canvas Dimensions Expression error: Missing operand for 35 x 44 cm

72220

Zwei Manner in Betrachtung des Mondes

Date 1819(1819) Medium Oil on canvas Dimensions 35 X 44 cm (13.78 X 17.32 in) cyf

84804

Zwei Manner in Betrachtung des Mondes

oil on canvas, 35 x 44 cm Date ca. 1830 cyf

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Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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